When Everything Is Not Enough…
We humans are strange creatures. Even when you take the creative element out of the equation, most people are never satisfied. It makes sense that would be true for creative types, as the essence of creative process depends on the need to improve whatever was last. After all, if an artist felt they had created an ultimate masterpiece that could not be improved upon, what would motivate them to start the next project? The irony in this, of course, is every artist DOES feel … Continue Reading

“When bankers get together for dinner, they discuss Art. When artists get together for dinner, they discuss money.” Oscar Wilde
“Who in the world am I? Ahh, that is the great puzzle.” Lewis Carroll
“You only have to do a very few things right in your life so long as you don’t do too many things wrong.”
“We were having one of those really great first dates, the kind you can only have if it’s not really a date.” Sarah Jessica Parker, Sex and the City
“Anyone who has never made a mistake, has never tried anything new.” Albert Einstein.
“Knock, knock,”
“As sure as the spring will follow the winter, prosperity and economic growth will follow recession.” Bo Bennett
“Matchmaker, matchmaker, make me a match…” Fiddler on the Roof
“Denial ain’t just a river in Egypt.” Mark Twain
“The price of anything is the amount of life you exchange for it.” Henry David Thoreau
“But that’s what being an artist is – feeling crummy before everyone else feels crummy. ” ~The New Yorker
” An artist without a website is virtually homeless.” Sylvia White
“People always fear change. People feared electricity when it was invented, didn’t they? People feared coal, they feared gas-powered engines… There will always be ignorance, and ignorance leads to fear. But with time, people will come to accept their silicon masters. ” Bill Gates Every once in awhile, even today, I come across an artist who is still resistant to the idea of using the computer. Okay, there might have been some justifiable excuses 10 years ago, “I don’t want to spend my time learning about something …
“Have no fear of perfection, you will never achieve it” Salvador Dali
Collectors of art fall into two basic categories. The first is the collector that decides to live with art, buys it until all the walls are filled, and then stops. The second revels in the experience of collecting, and like the artist, feels compelled by some greater force to continue with this passionate relationship, regardless of the decorative or functional aspects.
” A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself.” Abraham Maslow
Art Licensing is an exciting area in the licensing market and can possibly supplement and artist’s income and increase exposure. Licensing is defined as leasing the right to use a legally protected name, graphic, logo, saying or likeness in conjunction with a product, promotion, or services. It is usually accomplished by a formal agreement between the owner or agent of the mark (the Licensor) and the prospective Licensee who is either a manufacturer, supplier of services or an agent on behalf of them.
Artists often ask me whether or not it is worth it to rent a gallery to put up their own work. In general, I discourage the idea, unless artists have looked realistically at their goals and expectations. In many cases, renting a gallery space can be a very effective way to market yourself to other galleries and generate income from your collector base.
“Actors search for rejection, when they don’t get it, they reject themselves.” Charlie Chaplin
“To see far, is one thing…going there is another.” Constantin Brancusi
“Artists can no more speak about their work, than plants can speak about horticulture.” Jean Cocteau
“Do not fear failure, or over-estimate success.” Ernest Hemmingway
Learning how to document your own artwork can be time consuming and expensive. Having good quality slides of your work, however, is an absolutely essential first step in seeing yourself as a professional artist. Nine times out of ten you will not have the opportunity to show your original work. Remember that the purpose of sending slides is to generate interest in seeing the actual work. Your slides must adequately reflect the color, detail, texture, and size. Hiring a professional fine arts photographer is the best way …
“Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don’t like – then cultivate it. That’s the only part of your work that’s individual and worth keeping.” ~Jean Cocteau
There are a lot of valid reasons why an artist should think about reproducing their work. There are also a lot of reasons NOT to. In most cases, artists start to think about doing prints of their work as a way to increase sales or generate interest in their work. But, unless you are also prepared to take on the additional burden of marketing, printmaking is not always the right option for artists.
If you have ever thought about trying to become an art collector, either for pleasure or for investment purposes, the art world doesn’t make it easy for you. Galleries are cold, uninviting, scary and intimidating places to visit. Even a seasoned art world aficionado can feel awkwardly out of place when entering the inner sanctum of a public commercial gallery. The quiet hush, ominous white walls, cavernous spaces and contemporary art that defies understanding can be overwhelming to the novice. Gallery employees don’t make it any easier. …
The advent of digital technology has revolutionized the print market for both artists and collectors. Traditional printmaking techniques such as lithography, intaglio, and other more traditional methods, are very closely monitored by the master printer and/ or the publisher. It was important to specify exactly how many printer proofs there were, how many artist proofs there were and how many numbered prints were made to complete the limited edition. As the prints were distributed or sold, the publisher would document how many went out and to whom. …
The Internet has become an unavoidable fact of life. Over just the last few years we have seen radical changes in the way this new technology is changing the way we live, think and shop. Although many artists, collectors and galleries continue to have fears and concerns, even their reluctance is slowly beginning to erode as they accept the inevitability of this powerful, wide reaching tool. In regards to the artworld, there are basically three different types of websites :
Originally published in Artweek, July 1995, Volume 26, Number