Lee Clarke
Lee Clarke's work explores the idea of making grand gestures become personal. His paintings in his most recent body of work, addresses this with a vibrant and celebratory palette.

Louise Donahue
Louise Donahue is a California artist. Her latest series of paintings is based on her ability to capture the glowing effects of sunlight on botanical subjects.

Isabelle Hope Grahm
Form and color are the visual language translating mysterious human behaviors and incidents. These shared experiences which are observed and felt become the underpinnings of Grahm's art.

Kirby Kendrick

Kirby Kendrick is a classically trained impressionistic painter from the New York Studio School, her paintings are filled with emotional and active brush strokes, bright colors and a textured canvas.

John Lee
John Lee's work investigates the nuances of modulations through the use of motion and form which emphasize the generative nature of non-digital media.

Kito Mbiango
The multi-media work of Belgian-born artist Kito Mbiango represents a fascination with photography, collage and a love of color. Born of mixed cultural heritage, his work exudes the intensity of his father's African heritage and the simplicity of his mother's Belgian family.

Petra Nimtz
Nimtz is an intuitive painter working with lyrical brush marks and palette knives. Using paint and mixed media, she covers areas of the entire canvas in bright colors, textures and marks that are expressions of inner workings

Leonard Skuro
Leonard Skuro has been called the "magician of clay." His work resembles the unearthed treasures of temple shrines, or precious hand carved objects that have been worn with time.

John White
This series of paintings titled Artificial Hatch, convey the same visual frenzy of activity that White has been noted for in his early work. Since the 60’s his diagrammatic, notational style of work draws from everything as varied as his experiences on the golf course to therapy notations. Most recently, his abstracted landscapes of imagined underwater activity, Deep Sea Scapes, start to develop the strokes and symbols that the viewer soon discovers resemble sunlight coming through the water, schools of fish moving about, or emerging plant life, all from a fish eye point of view.